https://magic.piktochart.com/output/22025232-q4
Audience theory relates to
how the audience respond to and interpret any given text. The media audiences
can be defined in terms of location, consumption, size and subjectivity.
Depending on the audience, they may interpret our A2 teaser trailer, a psychological
horror on 4 protagonists who are psychologically damaged in different ways. Our
teaser trailer is aimed towards people over 15 years as a US-style blockbuster
film. Halloran, suggested that researchers should shy away from thinking “what
media do to people”, and instead replace it with “what people do to media”,
which links in with the idea that there are two types of audiences, active and
passive. If the audience is passive, they receive unmediated messages from the media
that heavily influences them, whilst an active audience is aware of the media
and they are in control of what they consume from it.
In our trailer, we chose to explore this through the perceived glorification of violence by the main protagonists. To do this, we decided to have two costumes, both of which have signifiers of urban youth. One costume, features light coloured, urban-style tops and jackets, whilst the other, features dark coloured, torn, ripped t-shirts, jeans and masks.
In an establishing shot, we see two of our protagonists breaking the 4th wall by staring into the camera in an extreme close-up shot, as if to intimidate the audience, adhering to the stereotypes propagated by the media about reckless youth. Additionally, our choice to have two costumes emphasises that, to the protagonists, violence and murder is almost like a game, and that it’s almost ‘trendy’ to be this unruly in society.
We highlight this again by having a close-up shot in high key lighting of blood running upwards of a hand, then several handheld mid-shots of the protagonists spinning mindlessly in the forest, dancing near the waterfront, their outlines illuminated by the city lights and extreme close-up handheld shots of the protagonists laughing into the camera. Moreover, we used a VHS style glitch over the shots to suggest that they are being watched, and that they enjoy displaying their unruly behaviour, stressing that this type of behaviour may be replicated in youths of that age.
Media texts are all representations of reality, intentionally mediated so that they are perceived in a specific light intended by their producers. Representations are also dependent on the media, as without them, our perception of reality is limited. Therefore representation is a fluid, two way process, which can relate back to our A2 teaser trailer, about four psychologically damaged people dealing with their compulsion to wreak havoc on their society.
David Gauntlett argued that identities are not given, but constructed and not negotiated. In our trailer, we decided to construct two identities for each of the 4 characters, the ‘normal’ persona, which is deemed acceptable in society and the ‘crazy’ persona, which is violent and dangerous. We do this through our use of costume; in the opening shots of our trailer, two protagonists wear lighter coloured, urban style clothing to present them as young teenagers who are comfortable in their environment.
Towards the end of the trailer, we dressed the protagonists in darker, torn, ripped clothing and reddened scars to visually signpost that as they become more violent (demonstrated by high angle extreme close-ups of blood running upwards of a hand, and eye-level extreme close-ups of bloodied screwdrivers), their previous identity is increasingly merged. Moreover, we present the protagonists as enjoying the damage they inflict on others, whilst they’re in their ‘crazy’ persona. We do this by showing the protagonists laughing and dancing by the darkened waterfront, illuminated by Canary Wharf’s lights in a mid-shot, and by a low angle extreme close-up of one of the characters laughing down into the camera.
Labels Cloud
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